Hello, not much time for a full review, but we got time for some quick quips. Join me in examining the new singles released by our beloved $uicideboy$, and prepare yourself for what drops tomorrow…
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I noticed all the reviews on the site have a little intro. Should I say something like “Join me, reviewer DJ Jimmy, as I relearn what music means to me with Mass For Dead Insects by MSBR & Blazen y Sharp”? Or maybe just put this whole thing in verbatim, that could be fun.
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Mmmmm… butter.
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Hello, welcome to a lil’ TED Talk about some Noise Rock. Rough look at the development of the genre, some of it’s main qualities, and some music that came out of it.
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Another $uicideboy$ review, LIVE FAST DIE WHENEVER is absolutely bonkers, mate. One of my favorites to rage with.
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Another review indie review, this time of the fantastic TV Girl and their wonderfully enchanting French Exit.
Join me, Roshaun, in an exploratory deep dive of the $uicideboy$ discography!
This first post goes over KILL YOURSELF Part I: The $uicide Saga to KILL YOURSELF Part V: The Fuck Bitches, Get Death Saga.
In this blog, I, Roshaun, will be compiling a list of great new music that has come out between the months of January and October 2020 (but mostly just in October.)
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In my most recent review of Snubnose by GRIP (shoutout pt.2, check it out!), I touched on how I appreciate hearing stories, seeing artistic qualities shine through, and how that elevates hip-hop/rap in my opinion. Well, another perfect example of such a record is Tierra Whack’s Whack World.
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When I think of good rap, my first thought is good beats and nice flow (Like Powers Pleasant and Ski Mask the Slump God.) But immediately after that, I want to hear stories, I want some artistic quality to add to just “good rap”, and these elements raise rap to the next level. That’s why artists like Kendrick Lamar and JID are so highly praised. Grip’s album, Snubnose has both of these things
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Rolling Blackouts Coastal Fever’s debut EP, Talk Tight, is a must listen for fans of the pop/punk or indie rock genres.
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Join Roshaun as he talks about just how this album created such a buzz in the indie pop community.
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Have you ever wanted to feel like you were listening to music in an airplane, but are afraid of flying?
Well, this album is the one for you. Tag along as Roshaun reviews an album released by the talented, up and coming Atlantan artist Berhana.
Roshaun here! This week marks a special event for me: my first Top 10! I hope to continue this trend, making a few top 10s of different types, this one being specific to the new music that I’ve listened to over the past week or so.
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My debut EP review will be on the melodic Second by the critically acclaimed group Liss. Hailing from Aarhus, Denmark, the group has been active in creating music for about 5 years now, starting in 2015. While I haven’t heard a lot of the group’s first EP, Try, released in 2015, Second caught my eye on the album art, and it’s supposed similarity to the Canadian singer/songwriter, MorMor, who has some pretty good songs like “Heaven’s Only Wishful” and “Outside”.
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Meet the new KSUA Music Director, and get a feel for the other types of music you might be hearing more often!
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KSUA welcomes you to come and meet our new Station Engineer, Benny!
Read MoreGrowing up in Alaska I’ve heard constant whisperings about the Trapper Creek Bluegrass festival. For me the first time I learned about Trapper Creek was four years ago, my friend Michael who had just gotten back from the festival grabbed my shoulders and shook me while saying “you gotta go, you gotta go.”
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Barry Odinsson of The Heavy Hymnal reviews the latest offering from Japanese post-rock legends, Mono.
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