This week Music Director Daisy Carter reviews an experimental album Desert Farmers by Hannah Marcus.
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In summary, Blackpot blew my mind with the breadth and depth of music on display, as well as the immense amount of talented musicians present, and the awesome community of folks who love the music. I feel as though I have barely scratched the surface of Cajun music and the incredibly deep well of Louisiana musical tradition, and the Blackpot experience left me hungry for more – music and jambalaya.
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Reminiscent of David Lynch movies, Beau is Afraid is wacky, weird, and fraught with insanity. A dreamland hellscape.
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West Valley Drama club hosted a reader’s theater performance of ‘Faust,’ by Johann Wolfgang von Goethe on October 15th . It was in the style of the music from 30 years ago, when KSUA was reborn into its current, non-commercial, Alternative music station.
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As the decade coined “Cool Britannia '' swooped in and spread across the world, everyone wanted to be in the UK. The ‘90s in the UK was full to the brim of Union Jack printed clothing, topical sit-coms, and Britpop. It was not a decade to miss. Thus, my childhood was spent watching football highlights from when David Beckham was running around the pitch scoring goals, rewatching the television shows that defined the decade, and listening to the bands my parents saw play live in dingy Manchester pubs. At the heart of “Cool Britannia” was undoubtedly my favorite genre of music, as well as an ode to my homeland, Britpop.
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On the morning of November 17th, I flew out to Anchorage for a busy weekend revolving around the 2023 Alaska Broadcasters Association convention. Representing KSUA 91.5FM as the station’s Production Director, along with the station’s General Manager Kevin Huo, the two of us stayed at the Sheraton Hotel Anchorage as we met our counterparts at the University of Alaska Anchorage’s KRUA 88.1FM and attended the 2023 Alaska Broadcasters Association convention, bringing home six new awards on behalf of Student Media.
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March 1993 was a busy time for us; it had been a very rapid five years since we moved into the house in Goldstream -- our first, after ten years in far too many rental properties -- and welcomed two children, the youngest then just nine months old, into it. I was finishing my application for tenure, supervising my first grad student, teaching three classes, advising majors, publishing papers, and setting up the second webserver on campus -- and my radio went dark.
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In the midst of a band’s pandemonium, a small woman lies on the ground, thrashing and stomping. The crowd’s roars reverberate. Her boots thud to the beat of the drums and guitars. Suddenly, she rises to the microphone, exuding unsettling calmness and deliberate grace. In her resoundingly remarkable voice, the now-timid singer delivers haunting lines of vulnerability and poignant observation. Samia’s raw lyrics, incredible voice, and kind, humble (yet still goofy) nature make Samia an impossible artist to forget. She ought to be celebrated.
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This is a weekly show by a DJ in Calgary, Alberta, Sideshow Sid. I've began listening to his former show, The Musiquarium, since about 2005 and when that show ended I feared for a bleak funkless future. However, Sid returned with this masterpiece show called Diggin' in the Crates. He plays pre-millenial (<2000 year) music only - mostly from vinyl, tapes, CDs, and even 8-tracks from his collection. Sideshow's deep dive into rare groove and funk leaves a wake of wavy events, thicc waves of funk washing through your quandrant of the universe, renewing your faith in the glory of music.
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Stray Kids has skyrocketed in popularity across the K-pop scene and the globe. The eight members: Bang Chan (leader, vocalist, rapper, producer, dancer), Changbin (rapper, producer), Han (rapper, vocalist, producer), Lee Know (lead dancer, dancer, vocalist), Hyunjin (dancer, rapper, visual), Felix (dancer, rapper, vocalist), Seungmin (vocalist), I.N (vocalist, maknae: youngest member of the group) recently traveled to this year’s Video Music Awards (VMAs) and claimed their win for Best K-pop on September 12, 2023. With multiple albums previously reaching number one on the Billboard Top 200 list such as Oddinary (EP), 5-Star, and Maxident, it’ll be exciting to see how this album matches up with their previous work.
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This week, Music Director Daisy reviews the album sent in called Land of Enchantment by Todd Mosby.
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My road trip driving playlists are always filled with music I haven’t listened to, which in this case had a lot of highlights and lot of lowlights. However, at this particular moment, driving on this windy, sketchy road in the middle of the night, a two-song, self-titled single by Drill For Absentee with an unassuming cardboard album cover came on. And it blew me away. The music had intricate performances, complex rhythms that stood out without sounding too janky, and feelings that were equal parts tense and intense. Right after that, their five-song EP Circle Music came on and I continued to be amazed for every one. It was, in that moment, exactly the music and energy I needed to dodge potholes that I could barely see.
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During the first week of February, Fairbanks hosted a double feature weekend of music by Anchorage band, Medium Build. Hailing from Southcentral AK, Medium Build ventured up into the interior for a one-weekend, two-show stop. Their performances spanned across the Golden Heart City, starting out their sub-arctic tour with a classic UAF Pub Friday night, to a second appearance in the core of downtown at The Venue, on Saturday.
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With Spring Fest around the corner , Music Director Daisy Carter thought it would be a good idea to take a deep dive into the headliner for the concert MICHELLE.
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On March 10 at 8:30 PM students, staff, faculty and more ascended upon the Wood Center Ping Pong tables to face-off in a heated and riveting match-up. Hit after hit, ball after ball. A spectacular evening. KSUA would like to give special thanks to Lewis, Jack, and John for helping setting up. Check out our facebook page (https://www.facebook.com/ksuaradio) for all the exciting action! We look forward to seeing you at the next one.
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review of UAU: Soundscapes and Ant Acoustics of the Brazilian Amazon (DL) by Lisa
Schonberg (Submitted by Doktor Exoskeleton) - http://www.lisaschonberg.com/store/uau-music-for-percussion-soundscapes-and-ant-acoustics-
of-the-brazilian-amazon
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Laura Cortese & The Dance Cards are an independent folk-pop group that call upon Celtic and Americana stylings to create rich and beautiful harmonies, combining various eclectic elements into a coherent and unique sound.
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Bruce Cech, the Voice of the Nanooks, sat down with UAF Coach Erik Largen as well as a few Nanooks players on the eve of the first Governor’s Cup weekend.
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Stephen Sanchez started on Tiktok with his song “Lady by the Sea”, and now has two full albums and a legion of followers. His second album “Easy on my Eyes” has a slight change in tone with him leaning into folk music.
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This playlist is about Afrobeat; music from West Africa combined with Western Jazz, American funk, soul influences and calypso. The beats along will shake from one side to another. Afrobeat was developed in Nigeria in the late 1960s by Fela Kuti. I listen to Afrobeat because it’s a global palatable sound and aesthetics which represents the spirit of modern Africa.
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